I found that the secret to getting a good image on the emulsion screens is to have quite thick lines, rather than the fine ones that I tried out earlier. The sheets are past their use-by date so perhaps the emulsion is a bit too 'baked on', but making sure that the lines are thick gives me good usable screens for printing. I've mounted them in windows of thin plastic, the sort that is used to make covers for documents and then sealed the edges against paint leaks with plastic tape. More fun to come!
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