New Leaves.

 I decided that the old dandelion leaves that I had already carved were not quite enough to provide interest in the image, so I carved 2 new ones...far too quickly probably, as they weren't very successful.

 The top one looks like any kind of insect ravaged leaf rather then the toothed dandelion leaf that I was aiming for. The one in the lower row is better, but still not quite right.

 I went ahead anyway to try and get some sort of satisfactory multi layered image. The darkest leaves I think are too dark, but the much paler ones in the background seem to work O.K.

Here I've eliminated the very dark green, but I still think that the mid greens in the right hand print are still too dark.  I rather like the dandelion flower head first printed in yellow and the just the edges darkened up with the orange. Maybe at the next print run I'll get something that I'm happy with, but then I'll need to get 3 the same, what a challenge!

A Change of Theme.

 These are Soft-Cut stamps that I carved some years ago and having used them successfully in the past, I've decided to revisit the dandelion theme again this week for a postcard challenge.

 Using water colour paper I have stamped leaves and stems in different greens and as I don't have a yellow stamp pad as yet, the flowers and buds are orange. I'm not sure that I like the texture that the rough water colour paper gives to the stamps.

            This darker green gives more contrast to the leaves, but I don't know if that is what I prefer.
     I think that I'll try further stamping on a smoother surfaced paper, just to see what it looks like too.

An even lighter shade of green used here, with the addition of a silver dragonfly. This too is an old carved stamp which I've used many times. Perhaps I'll try this format of the leaves and flowers with the darker shade of green as the really light green is a bit too soft perhaps.

A Few Problems!

 Here is the final image, completed but not without difficulty! The 2 clumps of grass on the right were easily done with a brown coloured stamp pad, but because the grass on the left was a lino cut, the stamp pad ink wouldn't adhere properly. I imagine it must be because of the natural oil in the lino.
Therefore I had to mix up a batch of dark brown block printing ink and use that. However, no matter what I did the ink made blobs that I wasn't happy with. After printing another whole pad of paper, that is another 12 sheets, I think that I've managed to get the required 13 copies that will pass muster...........just!

         These are only some of the prints that I made this afternoon, a rather costly exercise all up.

Last Clump of Grass.

 With the 'rule' that images should be in odd numbers in artwork, I decided to carve another grass stamp.

 After the preliminary cutting away, I can see that I still have quite a long way to go to eliminate all the extra unwanted edges.

                                 The image on the right is heading I the right direction I think.

If you enlarge this page with a click, you can see that each subsequent stamping (L to R top to bottom) is better than the one before in terms of just getting the grass blades without blobs and odd bits and pieces showing. One last tidy up and I can start to use this stamp in conjunction with the other 2 that I have already carved.

Adding Some Grasses.

 I've carved 2 clumps of grass to go around the base of the Grasstree.  The upper stamp is a lino cut, which is very hard to do when the lino is cold and the area around the blades of grass has to be removed. The lower one is carved from Soft-Cut which is so much easier to work with, especially in winter. I've printed some trial grasses here, removing some of the background each time to improve the print.

 Now what medium to use for the final prints.  Here I've used block printing ink, but I think that I must have had it a bit too thick on the stamps, as the blades of grass aren't separated. I don't think that I like the stark black colour either, as the rest of the dark grasses aren't black, but a dark brown.

 Yes, a dark brown is definitely better.  This time I have used a commercial stamp pad with dark brown ink.

Maybe not so many clumps of grass, especially as I have only carved 2 and quite distinct ones at that.
Here I've used reject prints for the stamp trials, ones with splodges of ink where there shouldn't be splodges. It's going to be a bit nerve wracking using the final 'good' prints' to add the grasses to.

A Good Afternoon Printing.

 Having carved this Grasstree a while ago, I have only just found the time to make prints of it. Using the original background of my photograph, tweaked just a little, then printed over with the lino, it has come out quite well. I took the photograph just outside the city of Canberra after massive bush fires had swept through and all the hills were dotted with blackened vegetation.

I want to carve some clumps of grass to go in the foreground, so that the Grasstree isn't quite so isolated and stark.  I wonder if they should be printed in black or dark brown...maybe black as the focus is after all on an area following devastating bush fires.

Fungus Collection.

 A damp weekend spent in the bush is always exciting, as I never know just what fungus I will see and manage to photograph in the wet conditions. This rather scary purple one is actually very pretty with the pale blue/mauve gills underneath.

   This robust yellow variety seems a little more benign, although I still wouldn't want to eat it!

                                  More of the purple species showing the thick blue stalks.

  These orange ones have very slender stalks and look as if they are too thin to hold the caps up.

 These actually look almost good enough to eat, but turn them over and the gills are deathly white, not the pink-brown of the edible variety.

These look particularly poisonous I think, although I don't actually know if they are. The combination of sickly yellow with the green is definitely off-putting.

More Gardens from the Past.

 This little machine embroidery I called The Yellow Garden, for obvious reasons. Again another imaginary garden worked many years ago, and sold at an exhibition.

 This is a real blast from the past as it is all hand stitched, something that I rarely do these days. Called Wild Lupins, it was based on an image I saw in an old National Geographic magazine.  It was in this piece that I started to use thick threads in the front and fine machine stitching threads in the back to give the impression of the distance.  Again, this is one that I have kept, as it's a pivotal point in my journey in thread.

 This red door was at the side of an old church in France, I just loved the worn step and the mauve flowering plants clinging to the old stones. I have actually worked this image twice, as I loved it so much. Others must have liked it too, as both pieces sold.

Another very early hand stitched piece with a painted background on cotton. Spinifex Dreaming was the result of a trip to Central Australia and seeing the Spinifex plants growing for the first time.  They grow in a circle out from a central point that becomes bare red earth as the plant grows outwards.